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Ruth Mott was the consultant for the kitchen,  and Violet Liddle for the parlour maids. He shot the film on Kodak Vision Expression T film stock generally with two Panavision cameras, using lighting ranging from relatively dim candles to bright hydrargyrum medium-arc iodide lamps. However, he notes that because Altman is an independent observer of the society he portrays in the film, it does not have the biting qualities of his previous social commentaries such as Short Cuts , set in the director's home country of the United States. May be the best episode of the series - but not as an intro 18 February by badger-ken — See all my reviews What made "Homicide: He described one of its themes as "illuminating a society and a way of life on the verge of extinction",  placing the interwar setting as an integral part of the film's class study. Production[ edit ] Development and writing[ edit ] In , Bob Balaban asked Robert Altman if there were something they could develop together, and Altman suggested a whodunit.
May be the best episode of the series - but not as an intro 18 February by badger-ken — See all my reviews What made "Homicide: Themes[ edit ] The film is a study of the British class system during the s; Stephen Fry , Inspector Thompson in the film, says that it shows the upper class's dependency on a servant class. For example, the film takes a subtle look at sexual mores during the s. As it is set in , between the world wars , the impact of the First World War is explored in the film's screenplay. It's not a gripping title. He shot the film on Kodak Vision Expression T film stock generally with two Panavision cameras, using lighting ranging from relatively dim candles to bright hydrargyrum medium-arc iodide lamps. The film's casting director was Mary Selway , whom producer David Levy described as knowing many British actors. Production[ edit ] Development and writing[ edit ] In , Bob Balaban asked Robert Altman if there were something they could develop together, and Altman suggested a whodunit. How would that change you? Ruth Mott was the consultant for the kitchen,  and Violet Liddle for the parlour maids. Recent crimes, and recent events in his family, are causing him to lose faith. Was this review helpful to you? Sound stages were built to film the scenes of the manor's downstairs area. Finally, in the last scene one of the detectives ever-so- tentatively gives hope and faith another chance. He notes that in certain large scenes with many characters, the actors were left room to improvise. Writing for PopMatters , Cynthia Fuchs described surface appearances, rather than complex interpersonal relationships, as a theme of the film. In parallel, we see another detective going through a religious crisis. Imagine if your job was dealing with murder and murderers all day every day. The cameras pointed toward no specific area, intended to cause the audience to move their eyes throughout the scene. CNN 's Paul Clinton praised Andrew Dunn's camera work, describing it as "lush and rich; the camera glides up and down the stairs of the grand estate, the period look is beautifully crafted. But when you make a picture using a name, that's its name. Altman notes that most of the film's cast had experience in theatre and in film, meaning they had acted in situations where the view of the audience is not on one specific actor, and each audience member sees a slightly different image of the players on stage. Kenneth Branagh and Robert Bathurst were both tied down by scheduling conflicts. But then MASH wasn't either. In one particularly poignant scene, he himself ruminates on this: The crime victim in this case is a high-school friend of one of the most cynical detectives. Fellowes began looking through some books and came up with Gosford Park.
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